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Whether it was referring to the acoustic pinings of Dashboard Confessional or the post-hardcore “screamo” of bands like Thursday, the emo label could essentially be slapped on any music that expressed emotional pain (which, if you ask Nick Hornby, is basically everything).
In a recent Rolling Stone interview, Kanal talked about the Eighties vibe of the group's debut LP.
"We were teens in the Eighties, and that's the kind of music that we all grew up on.
"For those people that were around for [debut album] ," he says, "either they left because we're no longer a punk band and they don't want to listen to anything but that, or they understand who we are.
“Emo” is a word that simultaneously means everything and nothing, and as a musical genre, it’s even more confusing. But as bands like Jawbreaker and Sunny Day Real Estate began to emerge in the late ’80s and early ’90s, the term also began permeating the pop-punk and indie rock scenes, too.